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Company Member Russell Jordan will be appearing in a reading of The Hour by Susan Goodell as part of Blue Curtain Theater's Drink for Words.

Drinks for Words is a forum where actors and writers can interact, share ideas and career goals, and build relationships with each other for future collaborations. Local writers will have the opportunity to have their original works read by local actors in a stage reading. Free wine and cheese will be provided at the event.

Other readings that afternon include Go For Broke by Walter Gulack, Where Is Dan? by Lloyd Pace and Rooftop by Tammy McNeill.


DRINKS FOR WORDS
By Blue Curtain Theater
Sunday, December 4, 2011 
1:30pm - 4pm
The Players Theater
115 MacDougal Street
New York, New York
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We are pleased to announce the winners of the 2012 National NewBorn Festival, our annual reading series which will take place once again at the City College of New York.

We are honored to be sponsored not only by the Psychology Club and Deparment of the City College of New York but this year New York theatre company On the Square Productions has joined us in sponsoring the Audience Favorite Award.

The winners of the 2012 National NewBorn Festival are,

DUNCAN PFLASTER with his play THE TRAGEDY OF DANDELION
AUGUST SCHULENBURG with his play DENNY AND LILA
JOE MUSSO with his play ABSINTHE

All three plays are a reflection of the direction and quality we strive for here at MTWorks - thought provoking, theatrical, ensemble driven plays with stories that take place outside of New York.

Joining the winning playwrights will be resident reading of Artistic Director David Stallings' ON EGDON HEATH, a new adaptation from Thomas Hardy's novel The Return of the Native.

For complete schedule details and to make early bird reservations click here.
We will be announcing directors mid December.
All readings are FREE and open to the public.

 
 
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We are honored to have Captain Michael Ace and Captain Ann Genn from the New York City U.S. Army Medical Recruiting Company as our talk-back guests after the Tuesday, November 15th 7pm performance of COSTA REHAB.

Captain Ann Genn has 2 deployments and one of those was a 15 month tour at the Baghdad Combat Support Hospital. Captain Michael Ace has 3 deployments and dealt with managing Combat Medics that provided care at the point of injury and patient movement from both combat zones back to the US.

COSTA REHAB is a comedy about three Iraq army veterans in a rehab facility and the nurses that take care of them.

TALK-BACK Tuesdays are moderated by Artistic Director David Stallings and are executed in a "talk show" format with audience participation.

To purchase tickets to COSTA REHAB click here.


Playing tonight at 7pm through November 19th

Tuesdays-Thursdays at 7pm
Fridays-Saturdays at 8pm



 
 
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Dave Charest
by Antonio Miniño

You might know Dave Charest is the guy with "wicked smaht' marketing tips for indie artists" or you might follow his insights on twitter. I know Dave as the marketing director of Astoria Performing Arts Center, which is on the top of my favorite indie theatre company list.

Katie Rosin of Kampfire PR suggested that just like shows swap postcards to help promote each other, Dave and I should swap interviews as fellow marketing directors. You'll be able to check out my answers on his website very soon. In the meantime here's what Dave had to say.

How did you get involved with marketing theater?

Hmm, I've always ended up the marketing guy whenever I'm involved with a project. When I'm engrossed in something I get really enthusiastic about it. And my enthusiasm tends to take over from there. It's infectious. So I'm pretty good at getting people excited about the things I truly believe in.  When I was studying a lot of online marketing I was intrigued by how theaters and artists could take advantage of this platform especially with the rise of social media. I thought it really lent itself to creative people and storytellers in particular. As I observed what different artists and theaters were doing I found myself disappointed with a lot of the marketing I had been seeing. Too much of it was ad based "buy tickets now" type of stuff.  I thought this approach was a big mistake. Especially for smaller, self-producing types who didn't have the luxury of throwing money at the marketing problem. I thought there was a better way. A way that allowed these artists to do something a bit more personal and really allow them to build connections with their audience. So I started blogging, interviewing people, and discussing my ideas with anyone who would listen. One of those people was my friend, Tom Wojtunik, Artistic Director of the Astoria Performing Arts Center. He put me in touch with Executive Director Taryn Sacramone. They where both game to try my ideas and some things that were a bit different from what they had been doing.  I've been on as Marketing Director since 2009 and it's been really great to see thing turns out like we thought they would since we've started to look at marketing in the long term.

What is your biggest challenge when it comes to marketing a particular show?

My biggest challenge is always convincing people that it's not about the marketing of a particular show. In fact, I don't think it's about theater at all. It's really about what you stand for. And the more you can connect with people on that level - with a system of beliefs - the more likely they are to buy-in to whatever it is you're producing.  For us at APAC, it's really all about Astoria and the people who make this community so great. It's the reason we showcase the artists we work with, it's the reason we promote our picks for the best Astoria restaurants, and it's the reason we offer programs for kids and seniors. It's a celebration of these amazing people coming together to share their stories.

If you had to choose only one marketing resource what would it be?

Wow. It's really hard to choose just one because your success is based on many resources working together. So to answer the question without limiting myself I'm going to say - people or word of mouth. If you can give people something to talk about they will. The technology and tools are always going to change but the need for people to share with one another will not. So do cool stuff and people will market it for you. 

What's your favorite thing about working with theaters?

As a marketer it's always my pleasure to introduce talented artists to audiences and vice versa. I view my work as a collaboration between myself, the artists and the audience. And I really love learning from and sharing with them both. It's fascinating.

What are you working on now? Tell us About it.

Right now we're producing the world premiere of Ashlin Halfnight's A Hard Wall at High Speed. And once again we're blessed with an amazingly talented cast and crew. This story about one man's mistake and how it changes a nation revolves around a truly compelling premise that will have people talking. We're thrilled to offer a home in Astoria for artists to develop this type of work and for Astoria audiences to see it.

Anything else you'd like to add?

To anyone who hasn't been to Astoria I'd like to make it easy for you to come out and experience some great theater and a wonderful community, our tickets never cost more that $18 and the prices are even lower for students and seniors. So come out have some dinner and see a show. I'm so confident you'll be glad you came out to Astoria that if for any reason you don't think the trip was worth it I'll personally refund the face value of your ticket. Just send a picture of your program and the date and time of the show you attended to me directly at: Dave (at) apacny.org and I'll make it happen.

 
 
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Company Actor Members Rachel McPhee (currently in COSTA REHAB) and Lavita Shaurice (A Home Across the Ocean) are appearing in a reading of The Minervae, written by Steven Bost and directed by Dev Bondarin (A Home Across the Ocean). The Minervae is part of On the Square Productions' Developmental Series and will take place this upcoming Monday, November 7th at 8pm

The cast also features Marnie Schulenburg (Anaïs Nin Goes to Hell) among others.

Set in the dying days of the Roman Empire, The Minervae tells the story of one mythological goddess who refuses to move over for the fashionable new "cult" of Christianity. Jilted, Minerva sets out to re-convert the converted. Standing in her way are the schemes of the other Olympians: bitter Vulcan, volatile Mars, ambitious Apollo, and the enigmatic Diana. It's a titanic clash of faith vs. revelation, with mortal Man caught in between.

ree glass of wine included with brown paper tickets purchase.
https://www.brownpapertickets.com/event/206965

 
 
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Company Actor Member Madalyn McKay (featured right of image) plays "Aunt Joan" in The Orange Person, with words and songs by Jeremy Bloom, Brian Rady and Laura Dunn; directed by Jeremy Bloom. The Orange person is now playing through November 18th, 2011 at the Gene Frankel Theatre (24 Bond St).

From Terlingua, the infamous "ghost town" of the rural southwest Texan desert, a family confronts a medical marvel: an orange baby is born. With an original book by director/ auteur Jeremy Bloom and vocalist/ performer Brian Rady, The Orange Person weaves together classic and original folk, R&B and sacred music with an eclectic cast of storytellers and instrumentalists of all ages. The Orange Person fuses a unique mix of performative mediums from non-fictional documentary theater to concert to lawn party (be sure to take advantage of the flowing bottomless wine, iced tea, and post-show jam session).

For more information visit www.TheOrangePerson.com
To learn more about Company Actor Member Madalyn McKay, visit www.MadalynMcKay.com

 
 
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Company Actor Member Susan Wallack is appearing in ALBA, a new adaptation of Federico Garcia Lorca's The House of Bernarda Alba. Adapted and directed by Glory Kadigan. In ALBA several actresses will play the same role simultaneously. A brilliant cast of 18 women recreate the text in a visual poetic tribute to the original.

ALBA plays from November 5th through the 20th at the Gene Frankel Theater (24 Bond St)

We stole Wallack for a couple of minutes from rehearsal and this is what she shared:

How did you get involved in ALBA?
I became involved involved when a reading was done this summer at Planet Connections Theatre Festivity. It was then called Martirio, but she is not the central character.

How much research went into developing your character?
I had read the play in college in Spanish, saw the musical version at Lincoln Center and then read a translation. She is written a certain way in this one which is more fun than in the original play.

Did you ever picture yourself as being one of Lorca's women?
I never thought about it, but yes because they are all strong. The ages were lowered, but I'd love to play Bernada or Poncia, the servant.

What is your favorite line in the play?
YOU ALL LOVE PEPE EL ROMANO.

Do you prefer working on classics or new work? 
Both, but I love experimental work in general and the classics I've done mostly at Columbia have been. As is Alba.

FOR MORE INFORMATION AND TO PURCHASE TICKETS VISIT
http://planetconnections.org/Alba/


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Attention Playwrights!

You can be part of MTWorks' third installment of MTWorkologues taking place April 29th, 2012.

MTWorkologues is exclusive to MTWorks company playwright members but we are opening one slot just for you! The monologues are read by MTWorks company actor members in this inspired and unforgettable one-night only event benefiting MTWorks.

Monologues must be inspired by the first play in our Season of Fight,
COSTA REHAB.


GUIDELINES:
  • Participants must attend a performance of COSTA REHAB playing November 3rd through the 19th at the WorkShop Theater (312 West 36th Street, 4th Floor).
  • On the night you attend the show make sure you let the box office attendant know you will be participating in the COSTA REHAB Monologue Contest. The attendant will sign you up. Playwrights who do not sign up at the theater will not be eligible.
  • Monologues must be inspired by the themes and/or characters in COSTA REHAB.
  • Monologues must be between 2-5min in length.
  • Make sure to include your name and contact information.
  • You can submit up to two monologues (if submitting more than one, must submit at the same time).
  • Material must be emailed to plays@mtworks.org with [COSTA REHAB Monologue Contest, Last Name] on the subject line.
  • Submission deadline: December 12th, 2011

 
 
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Company Actor Member Robin Madel and Louise Flory work closely as members of MTWorks' marketing committee. Madel wanted to share some questions she had asked Flory regarding her role in COSTA REHAB and her life as an award-winning actress.

Tell me about your character in Costa Rehab. How do you connect with her?

I play Lieutenant Ann Cramer. She is an Army Nurse, stationed in the rehab ward of a state-side military hospital. Relatively new to the job, she is still struggling with her role. My maternal grandmother was a nurse for many years and my mother is a social worker who has worked within the hospice system at various points throughout her career so I have some genetic coding towards care-giving. I would say that I connect with Cramer in the way that she sees the person, not the wound or disability. That is probably why it is often challenging for her to separate her emotions from her duties.

What type of research have you done about disabled veterans and those who care for them to prepare for the show?

I actually played a nurse earlier this year so I spent time in an emergency room as a shadow and received a lot of first hand stories in that environment. Before we began rehearsals for Costa Rehab I did some research on army nurses because they are a very unique area of the profession, given the additional structure of the military -- beyond the usual rules and regulations of a hospital setting, or the
basic patient protocol, there are all of these other parameters since you are a solider first and a care-giver second.

We are also in a very alarming situation in this country because we have more released veterans than any other time in history. Many of them are young men who are also suffering from some type of life- altering injury. Not only are they attempting to assimilate back into their lives after numerous tours of duty but they are coping with physical, mental and emotional disabilities that greatly hinder their ability to re-enter civilian life smoothly.

In terms of personal research, I had a long conversation with the senior nurse case manager at the Warrior Transition Unit of the Keller Army Community Hospital at West Point. She is a captain in the army and provided such incredible, honest insight into the life that my character lives. Our talk enriched my understanding and fueled my work in rehearsals in a way that I cannot even describe. I have also
reached out to the Wounded Warrior Project to find out more about the first hand assistance (both medical and psychological) that is being provided to soldiers as they transition out of active duty.

Tell me about your history as an actor. How did you come into it, what type of training have you done and when was the first time you considered yourself an actor?

My parents would say that I've always known that I wanted to be a performer. I have been auditioning and in classes since I was little, as well as studying it in college. While I have always called myself an actor, I think the declaration felt official when I received my first professional paycheck. It also came along with dying my hair black and learning to sword fight -- that was a pretty amazing summer.

Is your family supportive of your acting efforts?

Yes, always.

Weren’t you in a show that had a ComicCon following? What was that like?

I was the female lead in a web series called Issues. We did have a table at ComicCon in New York which was my first experience with fan photos and rapid fire press questions. I think my favorite part was getting to see that a passionate idea can become a pretty big reality. I remember the creator Scott Napolitano and I just standing in the midst of the massive crowds at the Javits Center marveling at the fact that six months earlier we were huddled in a strip mall parking lot in Hamilton, NJ trying to get shots off before we lost the light or got arrested.

What’s the most challenging part of acting for you?

I think the biggest challenge is the potential powerlessness. So much of your ability to actually do the job you love is in the hands of others. But I am always trying to circumvent that by helping to create my own work or collaborate with other passionate artists such as the family at MTWorks.

What’s your favorite part of acting and being an actor?

Honestly, I feel so fortunate to get to do what I love that I try my best to enjoy every part of the process. So many people don't have the luxury of choice or the gift of opportunity. I just want to help tell stories that connect us.

What is your favorite type of role to play?

Whatever I am working on at the moment. I really strive to only take part in projects I adore so that I can
dive in fully with no regrets.

Where would you like to take your acting career?

I always say that I want the trifecta- theatrical work at the off-Broadway and Broadway level, feature films (a mix of larger-scale work and fierce independents) and a juicy TV guest star here and there (something Sorkin-related if possible). In addition to that work, I hope to be writing more and helping others get their work made as a producer or as part of a larger organization (something like the Adrienne
Shelly Foundation, Killer Films or Ted Hope's Double Hope Films). And I always strive to combine my artistic work with philanthropy. I pick a relevant charity for each longer scale project and make a donation.

Eventually I would love to work more with an organization like Girl Up or Virgin Unite.


COSTA REHAB OPENS NOV 3rd AT THE WORKSHOP THEATER
BUY TICKETS TODAY